78 Toni Morrison’s “Recitatif”
In This Chapter
Author Background
The first African-American to win a Nobel Prize for Literature, Toni Morrison (1931-) is one of the most important American authors of the past century. In the eleven exquisitely crafted novels she has published to date, Morrison combines folk and postmodernist storytelling techniques to explore what it means to be both black and a woman in America.
Education
Morrison was born in Loraine, Ohio, and earned a Bachelor’s degree in English from Howard University and a Master’s Degree from Cornell University. Although she began writing creative fiction at Howard, Morrison worked primarily as a college professor in the decade following her graduation from Cornell, teaching at Texas Southern University and then at Howard. In 1964, Morrison divorced the husband she met at Howard, moved to New York, and worked as a senior editor for Random House publishers, where she championed the writing of several notable African-American authors, including Angela Davis and Toni Cade Bambara. Morrison continued to write and teach at colleges while working at Random House, publishing her first novel, The Bluest Eye, in 1970. Since then, she has taught at numerous institutions, including schools in the New York state university system, Yale, Bard, and finally Princeton, where she is currently an emerita professor.
Writing Career
In addition to working as an editor, novelist, and professor, Morrison is also a prolific essayist and public intellectual, publishing editorials in venues such as The New York Times and appearing on popular TV programs such as The Late Show with Stephen Colbert. She has also written three children’s books with her son, Slade Morrison, and the libretto for an opera based on the life of the American slave Margaret Garner, who is also the inspiration for her Pulitzer Prize winning novel, Beloved (1987).
Morrison describes the postmodernist literary technique she has developed in her novels as that of “enchantment,” a blending of historical realism with the myths and supernatural tales she learned as a child. “That’s the way the world was for me and for the black people I knew,” she tells Christina Davis in a 1986 interview in Conversations with Toni Morrison. “There was this other knowledge or perception, always discredited but nevertheless there, which informed their sensibilities and clarified their activities…they had some sweet, intimate connection with things that were not empirically verifiable.”
Her Novels
Examples of enchantment abound in Morrison’s work. In her novel Song of Solomon (1977), a story of a man coming to terms with his African-American identity, one character gives birth to herself—and thus does not have a navel—while another learns to fly as legendary African tribesmen once did. In Tar Baby (1981), a novel about people who trap themselves in self-deceptions, Morrison structures her tale around the fable of the trickster rabbit who gets caught by a deceptive figure made out of tar. In Beloved, a powerful novel about the legacy of slavery, the ghost of a slain baby haunts the home of an escaped slave.
“Recitatif”
The short story “Recitatif,” which you’ll read here, originally published in Amiri and Amina Baraka’s anthology Confirmation (1983), is the only short story that Morrison ever published. While it does not directly reference the supernatural, “Recitatif” features other postmodernist techniques common to Morrison’s work, from its estranging opening lines to the historical revisionism that the two central characters, Twyla and Roberta, engage in over the story’s course.
You can borrow and read Toni Morrison’s “Recitatif” free by creating an account at Internet Archive. It appears on pages 203-227 in Leaving Home : Stories:
http://archive.org/details/leavinghomestori0000unse.
1. Look up the meaning of the word “Recitatif.” Discuss why Morrison chose this term for her story’s title.
2. How would you describe the characters of Twyla and Roberta? What are their similarities and differences?
3. Twyla and Roberta are inseparable friends at St. Bonny’s. Why don’t Twyla and Roberta stay friends over the course of their lives?
4. Discuss why Twyla and Roberta have different memories of—and tell different stories about—Maggie.
5. How do Twyla and Roberta grapple with their own moral responsibilities, particularly in relation to their treatment of Maggie and each other?
6. How does Morrison explore issues of race, identity, and memory?
7. What assumptions did you make about the characters’ races, and how did these assumptions influence your understanding of the story?
8. How does the story address the complexities of friendship and the impact of societal norms on individual relationships?
9. What emotions did the story evoke, and how did Morrison’s portrayal of Twyla and Roberta’s friendship resonate with your own experiences or observations?
Sources
Berke, Amy et al. Writing the Nation: A Concise Introduction to American Literature 1865 to Present. University of North Georgia Press, 2015. https://open.umn.edu/opentextbooks/textbooks/writing-the-nation-a-concise-introduction-to-american-literature-1865-to-present, CCA-SA 4.0
Morrison, Toni. “Recitatif.” Leaving Home : Stories, New York : HarperCollins Publishers, 1998, pp. 203–27.
Morrison, Toni. “Recitatif.” Leaving Home : Stories, Internet Archive, uploaded by station15.cebu, 19 May 2021, http://archive.org/details/leavinghomestori0000unse.
Peterson, Scott D. et al. American Literatures After 1865. University of Missouri – St. Louis, https://umsystem.pressbooks.pub/ala1865/ CCA-SA 4.0
Taylor-Guthrie, Danille K. Conversations with Toni Morrison. UP of Mississippi, 1994.
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often includes themes of both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth.
A myth is a traditional story, especially one concerning the early history of a people or explaining some natural or social phenomenon, and typically involving supernatural beings or events.