32 Frances Ellen Watkins Harper
In This Chapter
Author Background
Frances Ellen Watkins Harper (1825–1911) was born free to free parents in the slave-holding state of Maryland. Her parents died when Harper was still young. Subsequently, she was brought up by her Uncle William J. Watkins, a minister, educator, and founder of a school for free blacks.
In 1850, she became the first female teacher at the Union Seminary in Ohio. She left teaching to devote herself to anti-slavery activism. She lectured for anti-slavery organizations in northern states and southeastern Canada. With William Still (1821–1902), she assisted fugitive slaves who escaped to freedom in the north through the network of people comprising the Underground Railroad.
Harper published poetry, first in anti-slavery newspapers, then in a collection entitled Poems on Miscellaneous Subjects (1854). William Lloyd Garrison wrote its preface, endorsing her poetry, and the book sold so well that Harper published an enlarged and revised edition in 1857.
Writing Career
She wrote consistently about the black experience in slavery, black resistance to slavery, education, women’s rights, and the dangers of intemperance. Her poetry is marked by its emotional intensity, lyricism, and Biblical allusions and language. It made a strong appeal to readers. She also wrote short stories, essays, and four novels.
In The Anglo-African Magazine, she published “The Two Offers” (1859), a work that many consider to be the first short story published by an African American. In 1872, she published Sketches of Southern Life, in which she introduced the elderly Aunt Chloe, a free slave strong on reading and morality, particularly Christian morality.
Activism and Social Reform
In 1860, she married Fenton Harper. He died four years later, leaving Harper to care for his three children and their child Mary. Harper continued to publish highly successful books of poetry and worked as a paid lecturer, traveling not only in the North but also in the South. She worked with important social reformers for equal rights for blacks and for women, including Frederick Douglass, Ida B. Wells, and Susan B. Anthony. She joined white-majority organizations such as The Women’s Christian Temperance Union, the American Woman Suffrage Association, and the National Council for Women, to give their causes her support while reminding these groups to support blacks.
Her last novel, Iola Leroy, or Shadows Uplifted (1892), tells of a mixed race woman who reunites her family after the Civil War, refuses to pass for white, and remains true to herself and her own goals even within marriage. It speaks of a mutually-supportive black community that communicates amongst itself in messages of which and to which whites remain unaware. With Harriet Tubman, Mary Church Terrell, and Ida B. Wells, Harper helped found the National Association for Colored Women in 1896.
The Slave Mother (1854)
A TALE OF THE OHIO.
I have but four, the treasures of my soul,
They lay like doves around my heart;
I tremble lest some cruel hand
Should tear my household wreaths apart.
My baby girl, with childish glance,
Looks curious in my anxious eye,
She little knows that for her sake
Deep shadows round my spirit lie.
My playful boys could I forget.
My home might seem a joyous spot,
But with their sunshine mirth I blend
The darkness of their future lot.
And thou my babe, my darling one,
My last, my loved, my precious child,
Oh! when I think upon thy doom
My heart grows faint and then throbs wild.
The Ohio’s bridged and spanned with ice.
The northern star is shining bright,
I’ll take the nestlings of my heart
And search for freedom by its light.
Winter and night were on the earth,
And feebly moaned the shivering trees,
A sigh of winter seemed to run
Through every murmur of the breeze.
She fled, and with her children all,
She reached the stream and crossed it o’er,
Bright visions of deliverance came
Like dreams of plenty to the poor.
Dreams! vain dreams, heroic mother,
Give all thy hopes and struggles o’er,
The pursuer is on thy track,
And the hunter at thy door.
Judea’s refuge cities had power
To shelter, shield and save,
E’en Rome had altars; ‘neath whose shade
Might crouch the wan and weary slave.
But Ohio had no sacred fane,
To human rights so consecrate,
Where thou may’st shield thy hapless ones
From their darkly gathering fate.
Then, said the mournful mother,
If Ohio cannot save,
I will do a deed for freedom.
She shall find each child a grave.
I will save my precious children
From their darkly threatened doom,
I will hew their path to freedom
Through the portals of the tomb.
A moment in the sunlight,
She held a glimmering knife,
The next moment she had bathed it
In the crimson fount of life.
They snatched away the fatal knife,
Her boys shrieked wild with dread;
The baby girl was pale and cold.
They raised it up, the child was dead.
Sends this deed of fearful daring
Through my country’s heart no thrill,
Do the icy hands of slavery
Every pure emotion chill?
Oh! if there is any honor.
Truth or justice in the land.
Will ye not, as men and Christians,
On the side of freedom stand?
1. How does the title “The Slave Mother” foreshadow the subject matter and emotional tone of the poem? What expectations or emotions does the title evoke before reading the poem?
2. How does the poem invite readers to empathize with the experiences of the slave mother? How does it bridge the gap between historical context and contemporary understanding?
3. The poem explores themes of love and sacrifice. How does the mother’s love for her child become a source of strength and resilience?
4. How does the poem’s rhythmic structure, including its rhyme scheme and meter, contribute to its emotional impact?
5. Analyze the use of sound devices such as alliteration and repetition in the poem. How do these elements enhance its auditory qualities?
6. Compare the emotional tone and themes of “The Slave Mother” with other works of literature or historical documents we’ve read that address the experiences of enslaved individuals.
7. How might the themes and emotions conveyed in “The Slave Mother” continue to hold relevance today, especially in discussions about systemic racism, historical memory, and social justice?
Ethiopia (1854)
Yes! Ethiopia yet shall stretch
Her bleeding hands abroad;
Her cry of agony shall reach
The burning throne of God,
The tyrant’s yoke from off her neck,
His fetters from her soul,
The mighty hand of God shall break,
And spurn the base control.
Redeemed from dust and freed from chains,
Her sons snail lift their eyes;
From cloud-capt hills and verdant plains
Shall shouts of triumph rise.
Upon her dark, despairing brow,
Shall play a smile of peace;
For God shall bend unto her wo,
And bid her sorrows cease.
‘Neath sheltering vines and stately palms
Shall laughing children play,
And aged sires with joyous psalms
Shall gladden every day.
Secure by night, and blest by day.
Shall pass her happy hours;
Nor human tigers hunt for prey
Within her peaceful bowers.
Then, Ethiopia! stretch, oh! stretch
Thy bleeding hands abroad;
Thy cry of agony shall reach
And find redress from God.
- The poem uses vivid imagery to describe Ethiopia’s attributes and history. What images stand out to you, and how do they contribute to your understanding of the country?
- How does the poem celebrate the strengths and glories of Ethiopia’s past and present? How might this celebration be an empowering response to colonial narratives of Africa?
- How might the poem’s themes align with or contribute to the larger movement of Pan-Africanism, which aimed to unite people of African descent and celebrate African heritage?
- In what ways does “Ethiopia” challenge or counteract colonial stereotypes and narratives about Africa?
- How might the poem explore themes of identity and belonging for individuals of African descent?
Learning to Read (1854)
Very soon the Yankee teachers
Came down and set up school;
But, oh! how the Rebs did hate it,—
It was agin’ their rule.
Our masters always tried to hide
Book learning from our eyes;
Knowledge didn’t agree with slavery—
‘Twould make us all too wise.
But some of us would try to steal
A little from the book,
And put the words together,
And learn by hook or crook.
I remember Uncle Caldwell,
Who took pot-liquor fat
And greased the pages of his book,
And hid it in his hat.
And had his master ever seen
The leaves upon his head,
He’d have thought them greasy papers,
But nothing to be read.
And there was Mr. Turner’s Ben,
Who heard the children spell,
And picked the words right up by heart,
And learned to read ‘em well.
Well, the Northern folks kept sending
The Yankee teachers down;
And they stood right up and helped us,
Though Rebs did sneer and frown.
And, I longed to read my Bible,
For precious words it said;
But when I begun to learn it,
Folks just shook their heads,
And said there is no use trying,
Oh! Chloe, you’re too late;
But as I was rising sixty,
I had no time to wait.
So I got a pair of glasses,
And straight to work I went,
And never stopped till I could read
The hymns and Testament.
Then I got a little cabin—
A place to call my own—
And I felt as independent
As the queen upon her throne.
- How does the title “Learning to Read” encapsulate the central theme and message of the poem? What broader ideas does the act of “learning to read” symbolize in the context of the poem?
- The poem is written from the perspective of a formerly enslaved person. How does this narrative voice contribute to the emotional impact and authenticity of the poem?
- The poem explores the transformative power of literacy. How does the speaker’s newfound ability to read impact their perception of the world and their sense of self?
- How does the poem portray literacy as a means of empowerment and agency for the speaker? How does reading contribute to the speaker’s sense of identity and freedom?
- How does the poem address the idea that knowledge is a key to liberation? How does education contribute to breaking the chains of ignorance and oppression?
- How does Frances Ellen Watkins Harper’s treatment of literacy compare to other writers who discussed the significance of education for marginalized communities?
- How does the theme of education in “Learning to Read” remain relevant in today’s context? How might it relate to discussions about access to education and its transformative potential?
- How does the poem resonate with your own understanding of education, empowerment, and the pursuit of knowledge? Have you ever experienced a moment where learning or reading significantly changed your perspective or sense of self?
Sources
Harper, Frances Ellen Watkins. “The Slave Mother.” Public Domain.
Harper, Frances Ellen Watkins. “Ethiopia.” Public Domain.
Harper, Frances Ellen Watkins. “Learning to Read.” Public Domain.
Kurant, Wendy. Becoming America: An Exploration of American Literature from Precolonial to Post-Revolution. 2019, English Open Textbooks, https://oer.galileo.usg.edu/english-textbooks/19, CCA-SA 4.0
Ida Bell Wells-Barnett was an American investigative journalist, educator, and early leader in the civil rights movement. She was one of the founders of the National Association for the Advancement of Colored People and a strong advocator for women's suffrage.
Tone is the attitude that a character or narrator or author takes towards a given subject.
Imagery is visual symbolism, or figurative language that evokes a mental image or other kinds of sense impressions.
A theme is a central topic, subject, or message within a narrative.